Stine would appear at the top of each episode as the credits began, shrouded in black and spilling his briefcase into the wind, releasing his horrors on an otherwise mundane and unsuspecting world. As his name hung over each title in plain font, R.L.
The same held true when the show leapt to the screen some years later, its presentation carrying over those mysterious elemental components that made the books so resonant. Goosebumps was a diabolical concoction, every element key to its witches’ brew bent on intoxicating the young mind. Devoid of dressing, their smiles seemed sinister, their presence an omen, a promise of death where you might least expect it.
The family in question, the father in his chef’s hat and apron flipping burgers, the mother beside him, her mouth agape in a frozen chuckle and their kids in the background, lounging at the picnic table, wore only their clothes atop their exposed bones. But of all the covers to first meet my gaze in that misleadingly wholesome place, none held so strong an impact as the aptly titled, Say Cheese and Die!Ī polaroid of a family barbecue, a perfect summer’s day shared with laughter, food and fun, all soured by the absence of tissue and flesh. From my first ever find of The Ghost Next Door to subsequent discoveries like Night of the Living Dummy, The Curse of the Mummy’s Tomb and Let’s Get Invisible, that unassuming school library became my entry point into the strange and bizarre world of horror. Stine’s tales of terror that there’d be nothing but Goosebumps books sitting available atop the library’s countless rows of shelves but, to my pained chagrin, the tomes remained as elusive as many of the mysteries which burned within the pages of the books I so desperately sought.īut, despite the heartbreak of countless empty handed exits from the library’s front double doors, it was those times where the playfully macabre cover art stared back up at me from the dark recesses of the book return that my breath would catch in my throat, that my heart would skip a beat and when my imagination would reel. You’d think that with the fervor and speed that kids in my school seemed to be devouring R.L. Checking the return bin for those spooky covers with their strikingly colored, pimply raised fonts was a daily affair, and one that was often met with disappointment.
Whatever the number of copies of the Goosebumps book series that my elementary school library actually housed was decidedly not enough to meet the demand of its ravenous patrons. The series adaptation later aired on Friday Febru(runtime: 22 minutes). Goosebumps: Say Cheese and Die! was originally p ublished in November 1992 (Spine #4).
It sadly isn’t compatible with some existing mods, but at least the mod’s forums have a section dedicated to finding workarounds.Īnd speaking of New Vegas, one user frustrated with Bethesda’s less-than-stellar response to the latest issue with the game (the “canvas bag” controversy) decided to take matters into their own hands and create a canvas bag mod for New Vegas. The mod requires clean installs of both Fallout 3 and New Vegas (along with all of the DLC), and works with both the Steam and GOG versions. Plus, you get all of the enhancements of the New Vegas engine (such as the companion wheel and weapon mods) to use in Fallout 3. The mod (which you can find more info about it on its FAQ page) allows you to play through both games with the same character, as well as travel between both games worlds via a train station, all in the New Vegas engine. “Tale of Two Wastelands”, a mod that lets you play Fallout 3 and its DLC in Fallout: New Vegas, and travel between the two worlds with the same character, has had a “total rebuild” in its 3.2 update. While Bethesda is currently having “difficulties” with Fallout 76, leave it to the modding community to come through and ease Fallout fans’ collective pain.